Kendrick lamar good kid maad city picture

Although his descriptions are vivid, the experiences themselves fly by in a blur as he grasps for clarity and meaning. There are few (if any) moments which could be interpreted as overtly preachy, but he's intent on helping the listener to see the world through his eyes. It's there in the first song, the album's concept deftly outlined and the dangers which lie ahead are so delicately foreshadowed.Дespite the tensions which weigh heavily on Kendrick's mind, he resists passing any judgement on the effects of poverty.

Even chasing after girls can leave you in a world of trouble, or rather, the wrong girl can вЂ“ Sherane A.K.A Master Splinter's Daughter credentials of a stripper from Atlanta, cousin of a gangbanger. This is not some glorified fictional reality, but a real-life account from somebody who made it out alive with the level-headedness to put it into song. Young men are senselessly shot dead for the colours they're wearing, or for straying too far from their own neighbourhood. You're there in the club with all its illusions of pleasure chasing girls for bragging rights gangland clashes quick thrills and aspirations.Д¬ompton's presence is felt every step of the way, the city where jumping off a building can be deemed as playing it safe.

Then you're in the car with his friends, bumping Young Jeezy and inevitably running into trouble. He puts you in his family home, caught between a nagging mother and father whose love shines through eventually. He places the listener in his life, focusing a lens on small decisions that can have massive impact, before zooming out to reveal a thousand other kids doing the same thing вЂ“ just trying to forge a path. It functions here as a simple tribute, but what it fails to capture is what the album's other 11 songs do so vividly the beating heart of the troubled, complex city which Kendrick calls home. Because when 'Compton' appears in sequence at the tail end of the record, it somehow feels very different an appropriate moment of recognition for the city to which he owes everything, but that could so easily have swallowed him whole.ДЄs it turns out 'Compton' is just the beginning of Kendrick's story. But Kendrick is not a singles artist, and we should have known that we were witnessing a pre-emptive victory lap. Perhaps this wouldn't be the life-long classic that the rap media was so desperate to declare it. Surfacing as it did - prior to the album's release - the grand baton passing between Dre and Kendrick was a sobering anti-climax, bogged down by the occasion itself and not playing to the strengths of either artist. In fact, as a standalone song 'Compton' is lightweight divorced of its context, there is little hiding beneath the gloss of Just Blaze's triumphant horns and clattering percussion. 'Compton, ComptonвЂ¦Ain't no city quite like mine.' Like many of the lyrics that constitute Kendrick Lamar's much-lauded good kid, m.A.A.d cityВё this hook seems throwaway at first glance.

Kendrick lamar good kid maad city picture